 Artist: Zbigniew Preisner: mp3 download Genre(s): Soundtrack Zbigniew Preisner's discography:  When A Man Loves A Woman Year: 1994 Tracks: 11 Poland's leading present-day film composer, Zbigniew Preisner was innate May 20, 1955 in Bielsko-Biala; spell perusal history and school of thought at the University of Cracow he began writing euphony, and in 1981 scored his beginning picture, Antoni Krauze's Prognoza pogody. Krauze introduced Preisner to film manufacturer Krzystof Kieslowski, with whom he enjoyed his most fruitful collaborationism; rootage with 1985's Bez konca, the deuce worked together on a series of projects including the 1987 tv set miniseries Dekalog and the 1991 feature film La Double contend de Véronique which brought them both international acclaim. The latter picture introduced Preisner's musical alter ego Van den Budenmayer, a fictive Dutch composer whose "do work" surfaced in subsequent projects. 1991 likewise sawing machine Preisner gradation international Eastern Europe to work with Brazil's Hector Babenco on At Play in the Fields of the Lord; he afterwards worked with filmmakers including Louis Malle (Damage) and Agnieszka Holland (Sir Laurence Kerr Olivier, Olivier and The Secret Garden. In 1993 he reunited with Kieslowski for Bleu, the 1st-class mail honours arcdegree chapter in the director's illustrious "Trois Coleurs" trilogy; Preisner's score for the terminal chapter, 1994's Rouge, earned a Cesar, the French combining weight of an Academy Award. He and Kieslowski were scheduled to lead off work on a trilogy exploring themes of Heaven, Hell and Purgatory when the director died on March 13, 1996; Preisner afterwards famed Kieslowski's life story and do work with the release of Requiem for My Friend. |
Sunday 31 August 2008
Mp3 music: Zbigniew Preisner
Monday 11 August 2008
Bernie Brillstein helped launch "SNL," "The Muppet Show"
LOS ANGELES � Bernie Brillstein, a Hollywood manager and manufacturer who helped mold television with his contributions to series such as "Saturday Night Live" and "The Muppet Show," died Thursday night in Los Angeles. He was 77. The cause was chronic pneumonic disease, aforementioned Nicole Caruso, a publicist for Brillstein Entertainment Partners.
In a 52-year career, Mr. Brillstein delineated entertainers world Health Organization ranged from stand-up comic Norm Crosby and singer Frankie Laine to a later coevals of comic rebels that included John Belushi, Dan Aykroyd, Gilda Radner, Lorne Michaels, Martin Short and others.
Mr. Brillstein launched his career in the mail room of the William Morris Agency in New York in 1956 and rose through the ranks to become a gift agent.
After creation the Brillstein Company in 1969 � the number one of terzetto management and production companies to bear his list � he helped launch "Hee Haw," the long-running country music-comedy show.
He as well helped launch "The Muppet Show" and was implemental in delivery "Saturday Night Live" to NBC in 1975.
As a manager, Mr. Brillstein delineated the long-running comedy show's creator-executive producer, Michaels, as well as Belushi, Radner and Aykroyd.
"He was steady in his belief in me," Michaels said Friday, adding that he couldn't have through with "Saturday Night Live" without him.
Mr. Brillstein helped bring out the films "The Blues Brothers," "Ghostbusters," "Dragnet," "Happy Gilmore" and "The Cable Guy."
For boob tube, he helped produce the series "ALF," "Buffalo Bill," "It's Garry Shandling's Show," "The Dana Carvey Show" and "The Martin Short Show."
After Lorimar-Telepictures purchased his management company in 1986, Mr. Brillstein was installed as head of Lorimar's movie division.
As he wrote in his 1999 memoir "Where Did I Go Right?: You're No One in Hollywood Unless Someone Wants You Dead," he put about 20 films in development in deuce years "and ended up making six lousy movies, two good movies and one outstanding movie," the latter beingness the Oscar-winning "Dangerous Liaisons."
In 1991, he partnered with Brad Grey to found Brillstein-Grey Entertainment, the high profile personal management and production company whose clients included Short, Jon Lovitz, Brad Pitt and Nicolas Cage.
When Mr. Brillstein initially leased him at the Brillstein Co. in the '80s, Grey said, "Bernie was an picture and one of the most successful talent managers in the business."
Added Grey, who is now president of Paramount Motion Picture Group: "He was a father to me, and he was my mentor and my partner and the godfather of my eldest boy, and I'm going to miss him every day for the rest of my life."
Although Mr. Brillstein sold his interest in Brillstein-Grey in 1996, Grey said, "he worked with me every day until I left hand to become chairman of Paramount in 2005."
Mr. Brillstein continued to work at the society, which was renamed Brillstein Entertainment Partners, and where, Grey aforementioned, he remained "a power" until he fell ill this year.
He was innate in New York City on April 26, 1931, and grew up in a modishness hotel, where his home lived with Mr. Brillstein's uncle, comic Jack Pearl. He gradatory from New York University with a degree in advertising.
Mr. Brillstein, who was married several times, is survived by his married woman of 10 years, Carrie; three sons, two daughters and a grandson.
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Wednesday 6 August 2008
Why Coldplay is the future
Coldplay�s success attracts armies of haters. And it doesn�t help that Chris Martin has that wussy falsetto, a superhot wife and a kid named after the world�s most prosaic fruit. But Coldplay hasn�t given up the dream of transcending today�s pop into timeless careen art.
Purportedly the band�s �experimental� album, �Viva la Vida or Death and All His Friends� doesn�t tinker too often with Coldplay�s established, superpopular, nonthreatening expressive style. But thither are amazing moments. �42� begins as a typical Martin forte-piano ballad ahead crashing into an �Airbag� burst of jagged guitar and angry strings; salvation comes with a bright, upbeat, whole anti-Coldplay (and Radiohead) bridge.
From there the band repeatedly breaks with its Radiohead-lite formula: They pinch from the Beatles� �Fool on the Hill� and �Lady Madonna� and delve into Eastern European melodies and neo-classical, Chopin-does-Britpop bits.
And let�s not forget. Every time you take heed �Violet Hill� on the radio, remember what you�re not hearing: James Blunt. Don�t think there�s a difference? You gotta listen to �Viva la Vida� (or be reminded simply how sorry �You�re Beautiful� is).
It�s scandalous, but Coldplay is unitary of the most dynamical bands on pop wireless. And the band is getting more than dynamic. That�s a good thing.
Coldplay, with Santogold and the Luxury, at the TD Banknorth Garden, Monday. Tickets: $47-$95; 617-931-2000.
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